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| home | exhibitions | competition tips | Rejection | shipping | Photographing Art I |
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| KWS Competition Tips | |||||||||
KWS National Deadline for Entries: Juror:
2010 Prospectus: or send SASE to |
Rejection Dejection |
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Two of my responsibilities for KWS I really loved, and one of them I hated. The ones I loved were sending out acceptance notices for the annual juried competition and writing checks to the award winners. The one I hated was sending out the rejection notices for the juried competition. Every year, when the slides came in, I got to look at them as I recorded the vital statistics that were necessary to the final exhibition list. Because I did this for thirteen years, I feel like I know those of you who are regular participants in the competition, even if I haven’t met you in person. I not only recognize your names, but some of you I can identify by your work. I regularly had thoughts like “so-and-so has a nice painting this year”, and made my own mental choices of the pieces that the juror would select based on the whole batch of entries. The fact is, in the whole thirteen years I did this I have never been completely right. The jurors NEVER choose all the paintings I would have chosen for the show and every year I had to send out the notification cards that say “declined” to artists whose work I have admired. I also had to send out “declined” notices to artists that have entered the show many times and haven’t been accepted and I would like to be able to offer encouragement to them instead of the discouragement that a rejection notice brings. All of this has made me ponder the issue of “acceptance” versus “rejection” in art competitions and I would like to share some observations: The first, foremost, most-important thing is SUBMIT A GOOD REPRESENTATION of your work, whether a slide or digital image. (See Ed Pointer's article about Photographing Your Artwork). Remember—the juror has only your slide from which to judge your work. There is a certain amount of luck involved in any competition. A rejection of your painting is not a rejection of you as an artist. It is probably a mistake to try to paint something FOR the judge. If you don’t enter a show, it’s a 100% certainty you won’t get in. Find someone you respect and ask for his/her opinion about your work.
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| MaryLou Sunderland served as Executive Secretary of the Kansas Watercolor Society from 1993-2006, with primary responsibility for organizing the annual juried competitions. | |||||||||